This functions as part of the film's critique of 80s hedonism - everyone looks alike, no one really knows anyone else, everyone is disconnected; they are all successful and wealthy, they all look great and eat well, they are all cultured and well travelled, but none of them have any kind of individuating characteristics, and none of them take the trouble to really know any of the others. De Reveney then begins to purchase shares from Davis, and the only way Ferguson can stop him is by revealing his own interests in the company, thus exposing the illegality of his operation. Patrick Bateman - Wikipedia "I'm leaving": Bryce freaks out in a nightclub, tells Bateman he's leaving, jumps off a balcony and runs away. Is there any explicit violence toward animals shown in this movie? According to the film's official website, the videotape addiction is a metaphor for Bateman's "emotional isolation"; he has no real life himself, no real existence to keep him occupied, so he needs to fill that emptiness by continually immersing himself in the lives of others, i.e. PDF downloads of all 1699 LitCharts literature guides, and of every new one we publish. This prompts McDermott to ask "Well who is it then?," to which Bryce answers "It's Paul Allen." The scene where Patrick Bateman calls his lawyer to confess to his horrific murder spree (many of which are episodes featured in the book but not in the movie), is the most emotional piece in all . Have you heard of it? It's good to see you. This is backed by the foolish, awkward side 2 of Patrick Fantasy: Paul Allen is in fact alive, Christie never existed, Sabrina's head is not sitting in his refrigerator, the threesome with Elizabeth never existed, and of course the final rampage with the cat in the ATM and the cop cars. After a particularly infuriating party, Bateman asks Evelyn why she doesn't just date Bryce instead of him, pointing out that Bryce is rich, good-looking and has a great body, to which Evelyn replies, "Everybody's rich. This selection of quotations offers a broad cross section of such opinions:Official site: The unfolding cinematic fable suggests a series of themes about the 1980s: the obsession with outer perfection, even when it masks inner emptiness; the amoral insistence on conformity at all costs; the desire for stimulation that keeps raising the threshold highermore drugs, money, sex, sound, color, action; and the emotional isolation, expressed by Bateman's videotape addiction, and the fact that he has no back-story, no family, no real characteristics apart from the labels on his clothes. His main residence is apartments 19 and 20 in Emery Roth's Mansions in the Sky, where his immediate neighbors include Yoko Ono, Steven Spielberg and Calvin Klein. Whose head is in Patrick Bateman's fridge?
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